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< title > wkflw : about< / title >
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< h2 > Max Franklin< / h2 >
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< em > max.e.franklin@gmail.com< / em >
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< p > Currently based in the Paris, France teaching and performing improvised software publications.< / p >
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< h3 > Education< / h3 >
< p > < em > Piet Zwart Institute< / em > < br >
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2016 - 2018 // Rotterdam, NL< br >
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Master's in Media Design : Experimental Publishing< / p >
< p > < em > Conservatorium of Sydney (University of Sydney)< / em > < br >
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2009 // Sydney, AU< br >
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Bachelor Jazz Performance (Saxophone) & Creative Sound Engineering< / p >
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< h3 > Professional Experience< / h3 >
< p > < em > Paris College of Art< / em > < br >
2014 - current // Paris, FR< br >
Faculty Member in Foundation, Communication Design and Master's in Transdisciplinary New Media Departments< / p >
< p > < em > Willem de Kooning Academie< / em > < br >
2018 // Rotterdam, NL< br >
Publication Station teaching and technical assistant< / p >
< p > < em > Freelance Graphic Designer< / em > < br >
2009 – 2014 // Sydney, AU< br >
Web-design, poster and album design< / p >
< p > < em > Linear Recording< / em > < br >
2009 – 2010 // Sydney, AU< br >
Assistant Sound Engineer< / p >
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< h3 > Things< / h3 >
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< p > < em > Thresholds of the Algorithmic< / em > < br >
Algorithms that Matter< br >
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2018 // Bergen, NO< br >
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Workshop-in-Exposition is a hybrid format that places the workshop inside an exhibition context, where the exposed works and artefacts form the basis of the workshop’ s activity.< / p >
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< p > < em > Get a Room Residency< / em > < br >
Frontyard< br >
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2018 // Sydney, AU< br >
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Research residency around Master's research on Software and Improvisation.< / p >
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< p > < em > Autonomous Archive< / em > < br >
Het Nieuw Instituut< br >
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2017 // Rotterdam, NL< br >
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Archival machine, installation and research project centred around autonomous living and archival practices. Presented alongside the Architecture of Apropriation exhibition.< / p >
< p > < em > TGC#3 : Euclid< / em > < br >
De Player< br >
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2017 // Rotterdam, NL< br >
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Experimental sound publication object and performative instrument. Collaborative project between De Player and the Piet Zwart Experimental Publishing unit.< / p >
< p > < em > LowTechLabLondon2016< / em > < br >
Saatchi Gallery< br >
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2016 // London, UK< br >
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International art lab organised by Raul Marroquin around the theme of Low Tech.< / p >
< p > < em > Festival de Projets Scolaires< / em > < br >
La Gaîté lyrique< br >
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2016 // Paris, FR< br >
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Partnership workshop show with Paris College of Art students and faculty.< / p >
< p > < em > IDENTITE REVE(L)EE< / em > < br >
*Mi Gallery< br >
Paris Digital Week< br >
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2015 // Paris, FR< br >
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Collaborative piece prestented at *Mi Gallery as part of Paris Digital Week.< / p >
< p > < em > Barcu Art Fair< / em > < br >
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2015 // Bogota, CO< br >
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Presentation via Skype on Collaborative Art, Interactivity and Improvisation.< / p >
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< h3 > Music< / h3 >
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< p > < em > Solo< / em > < br >
2018 - active< br >
Solo act employing custom open source software insturments and improvised saxophone.< br >
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< em > Presented :< / em >
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< li > < em > North Sea Jazz Around Town< / em > < br >
VARIA< br >
2018 // Rotterdam, NL< / li >
< li > < em > E-ARTHHA< / em > < br >
DePlayer< br >
2018 // Rotterdam, NL< / li >
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< p > < em > Post Toast< / em > < br >
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2018 - active< br >
Electronic duo currently playing a live meld of improvised electronica, techno, hip-hop neo-classical music and down-tempo dystopian futurism.< br >
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< em > Presented :< / em >
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< li > < em > POST TOAST on Red Light Radio< / em > < br >
Redlight Radio< br >
2018 // Amsterdam, NL< / li >
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< / p >
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< p > < em > Shaolin Afronauts< / em > < br >
2012 – 2014 // Australia< br >
Sideman on “Quest under Capricorn” and “Follow the Path”< / p >
< p > < em > Debonair Gentlemen< / em > < br >
2009 – 2012 // Australia< br >
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Leftfield jazz trio< / p >
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