diff --git a/assets/audio/postoast/ww_topDown.jpg b/assets/audio/postoast/ww_topDown.jpg new file mode 100644 index 0000000..099bc0a Binary files /dev/null and b/assets/audio/postoast/ww_topDown.jpg differ diff --git a/css/print.css b/css/print.css index e69de29..58ce004 100755 --- a/css/print.css +++ b/css/print.css @@ -0,0 +1,103 @@ +@import url('https://fontlibrary.org/face/hk-grotesk'); + +body { + grid-gap: 15px; + margin: 0px; + padding: 0px; + width: 100%; + font-family: 'HankenGroteskLight', sans-serif; + font-weight: 400; + font-size: 12pt; + color: #000; +} + +@page { + size: A4; + margin: 10mm 20mm 15mm; +} + +header { + display: none; + visibility: hidden; +} + +img { max-width: 100%; } + +/* WORK INPAGE */ +a#home { + display: none; + visibility: hidden; +} + +.work.text { + width: 63%; + float: right; +} + +.work.text>h1 { + transform: rotate(0); + font-size: 4em; + left: -75px; + top: -100px; + margin: 0; + padding: 0; + color: #FF670F; +} + +.work.imgs { + width: 35%; + display: block; + float: left; +} + +.work.imgs img { + max-width: 100%; + height:auto; +} + +div.imgFeat { + position: relative; +} + +.imgFeat>img { + max-width: 100%; +} + +iframe { + display: none; + visibility: hidden; +} + +object { + display: none; + visibility: hidden; +} + +/* CV */ +#me { + margin: 10mm 0mm; + width: 75%; +} + +#me h2 { + font-size: 3em; + margin: 0 0 0mm; +} + +#edu, #prof, #things, #music { + margin: 10mm 10mm 0mm; +} + +#cv ul, #cv ul li, #cv p { + break-inside: avoid; +} + +#cv ul li { + list-style: none; + margin-bottom: 1em; +} + +#cv ul>em:first-child { + position: relative; + left: -20px; +} diff --git a/css/styles.css b/css/styles.css index cc0fce0..0bcd2cf 100755 --- a/css/styles.css +++ b/css/styles.css @@ -211,3 +211,50 @@ div.imgFeat { .imgFeat > img { max-width: 100%; } + +/* CV */ + +#me { + padding: 5px; + grid-column: 2 / 5; + grid-row: 1 / 2; +} + +#me h2 { + font-size: 3em; + margin: 0; +} + +#edu { + padding: 5px; + grid-column: 2 / span 2; + grid-row: 3; +} + +#prof { + padding: 5px; + grid-column: 2 / span 2; + grid-row: 4; +} + +#things { + padding: 5px; + grid-column: 4 / span 3; + grid-row: 3 / 7; +} + +#music { + padding: 5px; + grid-column: 7 / span 3; + grid-row: 3 / 5; +} + +#cv ul li { + list-style: none; + margin-bottom: 1em; +} + +#cv ul > em:first-child { + position: relative; + left: -20px; +} diff --git a/cv.html b/cv.html index 5f143bf..b6cbcbc 100755 --- a/cv.html +++ b/cv.html @@ -1,25 +1,20 @@ - wkflw : about + wkflw : cv - + - + -
+

Max Franklin

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- max.e.franklin@gmail.com - -

Currently based in the Paris, France teaching and performing improvised software publications.

- - -
+ max.e.franklin@gmail.com
+ +33 (0) 7 66 14 33 99
@@ -34,26 +29,6 @@ Bachelor Jazz Performance (Saxophone) & Creative Sound Engineering

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Professional Experience

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Paris College of Art
- 2014 - current // Paris, FR
- Faculty Member in Foundation, Communication Design and Master's in Transdisciplinary New Media Departments

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Willem de Kooning Academie
- 2018 // Rotterdam, NL
- Publication Station teaching and technical assistant

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Freelance Graphic Designer
- 2009 – 2014 // Sydney, AU
- Web-design, poster and album design

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Linear Recording
- 2009 – 2010 // Sydney, AU
- Assistant Sound Engineer

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Things

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Music

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Solo
2018 - active
Solo act employing custom open source software insturments and improvised saxophone.
- +

    Presented :
  • North Sea Jazz Around Town
    @@ -115,7 +90,7 @@ 2018 // Rotterdam, NL

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Post Toast
2018 - active
Electronic duo currently playing a live meld of improvised electronica, techno, hip-hop neo-classical music and down-tempo dystopian futurism.
@@ -127,7 +102,7 @@ 2018 // Amsterdam, NL

- +

Shaolin Afronauts
2012 – 2014 // Australia
Sideman on “Quest under Capricorn” and “Follow the Path”

@@ -137,5 +112,29 @@ Leftfield jazz trio

+
+

Professional Experience

+ +

Paris College of Art
+ 2014 - current // Paris, FR
+ Faculty Member in Communication Design and Master's in Transdisciplinary New Media departments

+ +

école européenne des métiers
de l'Internet
+ 2018 - current // Paris, FR
+ Faculty Member in Graphic Design department

+ +

Willem de Kooning Academie
+ 2018 // Rotterdam, NL
+ Publication Station teaching and technical assistant

+ +

Freelance Graphic Designer
+ 2009 – 2014 // Sydney, AU
+ Web-design, poster and album design

+ +

Linear Recording
+ 2009 – 2010 // Sydney, AU
+ Assistant Sound Engineer

+
+ - \ No newline at end of file + diff --git a/work/euclidWork.html b/work/euclidWork.html index fbc1faf..7653af5 100755 --- a/work/euclidWork.html +++ b/work/euclidWork.html @@ -1,25 +1,28 @@ + - wkflw : euclid + wkflw : euclid - + - + + + -
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max franklin

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max franklin

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- << home - -
+ + << home

Euclid

Tetra Gamma Circulaire 3 was a collaborative work between De Player and the Experimental Publishing Master's path at the Piet Zwart Institute.

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My piece, Euclid, is an improvisational instrument that aims to explore musical improvisational exploration. It is designed to allow the player to explore its musical possibilities, while requiring active experimentation to master its interface. The music produced by Euclid are based upon Euclidian rhythms, a mathematical system that generates traditional rhythmic patterns. Rather than a noise instrument, the musicality encourages continuous compositional exploration and creates a dialogue between performer and instrument.

+

My piece, Euclid, is an improvisational instrument that aims to explore musical improvisational exploration. It is designed to allow the player to explore its musical possibilities, while requiring active experimentation to master its + interface. The music produced by Euclid are based upon Euclidian rhythms, a mathematical system that generates traditional rhythmic patterns. Rather than a noise instrument, the musicality encourages continuous compositional exploration and + creates a dialogue between performer and instrument.

-

The instrument is controlled via a series of touch conductive points. These points work very differently depending on the environmental, and individual conductivity of the player. The instrument therefore has been designed to adjust and learn from the player as the performance progresses. In turn the performer must learn the unique situationally affected intricacies of the instrument, as well as their own affects, allowing for very different performances of the instrument each time.

+

The instrument is controlled via a series of touch conductive points. These points work very differently depending on the environmental, and individual conductivity of the player. The instrument therefore has been designed to adjust and + learn from the player as the performance progresses. In turn the performer must learn the unique situationally affected intricacies of the instrument, as well as their own affects, allowing for very different performances of the instrument + each time.

The end result was an interactive, improvisational, chaotic music machine. Its score, a mash of software and numbers, humanly unintelligible, and musically irreproducible.

This project was the catalyst for my Master's thesis, final project and now forms the base of my current practice and research.

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+ +

max franklin

@@ -26,13 +29,14 @@

My thesis is freely available ony my git repository. It was designed for print using all open source tools, and generated using custom scripts which can also be found on my git.

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- - + + +
diff --git a/work/postoastWork.html b/work/postoastWork.html index cdb03b9..f959490 100755 --- a/work/postoastWork.html +++ b/work/postoastWork.html @@ -1,40 +1,49 @@ + - wkflw : poastoast + wkflw : poastoast - + - + + + -
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max franklin

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+

max franklin

+
- << home - -
+ + << home
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POST TOAST

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+

POST TOAST

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Post Toast is an electronic duo currently playing a live meld of hypnotic improvised electronica, techno, hip-hop neo-classical music and down-tempo dystopian futurism. Meeting during our Master's studies Ryan Cherewaty and I found intersecting interests in musical tastes and instrumentation and decided to join forces in our living room.

+

Post Toast is an electronic duo currently playing a live meld of hypnotic improvised electronica, techno, hip-hop neo-classical music and down-tempo dystopian futurism. Meeting during our Master's studies Ryan Cherewaty and I found + intersecting interests in musical tastes and instrumentation and decided to join forces in our living room.

-

This side project extends my methodology of improvisation in and with software, forcing me further to break from my musical academic training and aesthetics. Post Toast is a moment where I experiment with my ideologies outside of an art music/performance realm. It has since developed from a casual hobby to a formative part of my improvised, software performance practice.

+

This side project extends my methodology of improvisation in and with software, forcing me further to break from my musical academic training and aesthetics. Post Toast is a moment where I experiment with my ideologies outside of an art + music/performance realm. It has since developed from a casual hobby to a formative part of my improvised, software performance practice.

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- \ No newline at end of file + + diff --git a/work/soloWork.html b/work/soloWork.html index eba4274..b933f6f 100755 --- a/work/soloWork.html +++ b/work/soloWork.html @@ -5,7 +5,8 @@ - + + @@ -43,4 +44,4 @@
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