added container in two movements
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title: read my lips
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layout: page.njk
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imgFeat: /audio/images/read-my-lips/djuna.jpg
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gallery:
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- /audio/images/read-my-lips/poster.jpg
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---
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# Read my lips : No New Taxes
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A collaboration with artist Amy Pickles developing and performing part of the sound component. Custom developed a looper mangler using open source software and hardware. The project text :
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<iframe scrolling="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/615639498&color=%23333333&auto_play=false&hide_related=true&show_comments=false&show_user=true&show_reposts=false&show_teaser=true&visual=true" width="100%" height="300" frameborder="no"></iframe>
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- Performance by Amy Pickles with Djuna Couvee, Marta la Torre Rubio and Ana Buljan
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- Live Sound by Max Franklin
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- Translation by Sanne Cobussen
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Read my lips: No New Taxes. is a performed sound work where the physical structure of Gallery Lecq becomes speaker and aural / oral cavity for the surrounding architecture. The ear / mouth questions the setting of its body, where internal movement is controlled by transaction. The sluice commands passage of the waterway, as the bridge controls movement on land. This system is overlooked by the imposing architecture of Rotterdam’s former Tax Office, where personal financial dealings with the municipality allowed bodies to move in the city.
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The title refers to a statement by George W. Bush in his 1988 election nomination. Though it struck public conscious and helped him win the campaign, these words are now said to have hurt Bush politically, living on as a broken promise.
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A speaker is an electro-acoustic device and a person who delivers a speech. Here we experiment with distributed sounds to pledge a new narrative.
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### Costumes
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- Fibre-optic battery powered lights, corks, plastic bags, shells, nets
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- Fabric sourced at the local market, chewing gum wrappers
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---
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title: cv
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layout: page.njk
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---
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## Max Franklin
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_max.e.franklin@gmail.com_<br>
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_+33 (0) 7 66 14 33 99_
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### Education
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_Piet Zwart Institute_<br>
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2016 - 2018 // Rotterdam, NL<br>
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Master's in Media Design : Experimental Publishing
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_Conservatorium of Sydney (University of Sydney)_<br>
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2009 // Sydney, AU<br>
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Bachelor Jazz Performance (Saxophone) & Creative Sound Engineering
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### Things
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_Sounds to See_<br>
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Sign Gallery<br>
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2019 // Groningen, NL<br>
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Group exhibition. Presented _A Container in Two Movements_.
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_Thresholds of the Algorithmic_<br>
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Algorithms that Matter<br>
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2018 // Bergen, NO<br>
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Workshop-in-Exposition is a hybrid format that places the workshop inside an exhibition context, where the exposed works and artefacts form the basis of the workshop’s activity.
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_Get a Room Residency_<br>
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Frontyard<br>
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2018 // Sydney, AU<br>
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Research residency around Master's research on Software and Improvisation.
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_Autonomous Archive_<br>
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Het Nieuw Instituut<br>
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2017 // Rotterdam, NL<br>
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Archival machine, installation and research project centred around autonomous living and archival practices. Presented alongside the Architecture of Apropriation exhibition.
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_TGC#3 : Euclid_<br>
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De Player<br>
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2017 // Rotterdam, NL<br>
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Experimental sound publication object and performative instrument. Collaborative project between De Player and the Piet Zwart Experimental Publishing unit.</p>
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_LowTechLabLondon2016_<br>
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Saatchi Gallery<br>
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2016 // London, UK<br>
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International art lab organised by Raul Marroquin around the theme of Low Tech.
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_Festival de Projets Scolaires_<br>
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La Gaîté lyrique<br>
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2016 // Paris, FR<br>
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Partnership workshop show with Paris College of Art students and faculty.
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_IDENTITE REVE(L)EE_<br>
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*Mi Gallery<br>
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Paris Digital Week<br>
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2015 // Paris, FR<br>
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Collaborative piece prestented at *Mi Gallery as part of Paris Digital Week.
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_Barcu Art Fair_<br>
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2015 // Bogota, CO<br>
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Presentation via Skype on Collaborative Art, Interactivity and Improvisation.
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### Music
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_Solo_<br>
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2018 - active<br>
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Solo act employing custom open source software insturments and improvised saxophone.<br>
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_Presented :_
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- _North Sea Jazz Around Town_<br>
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VARIA<br>
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2018 // Rotterdam, NL
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- _E-ARTHHA_<br>
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DePlayer<br>
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2018 // Rotterdam, NL
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_Post Toast_<br>
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2018 - active<br>
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Electronic duo currently playing a live meld of improvised electronica, techno, hip-hop neo-classical music and down-tempo dystopian futurism.<br>
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Presented :
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- _POST TOAST on Red Light Radio_<br>
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Redlight Radio<br>
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2018 // Amsterdam, NL
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_Shaolin Afronauts_<br>
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2012 – 2014 // Australia<br>
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Sideman on “Quest under Capricorn” and “Follow the Path”
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_Debonair Gentlemen_<br>
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2009 – 2012 // Australia<br>
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Leftfield jazz trio
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### Professional Experience
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_Paris College of Art_<br>
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2014 - current // Paris, FR<br>
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Faculty Member in Communication Design and Master's in Transdisciplinary New Media departments
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_École Européenne des Métiers de l'Internet_<br>
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2018 - 2019 // Paris, FR<br>
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Faculty Member in Graphic Design department
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_Willem de Kooning Academie_<br>
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2018 // Rotterdam, NL<br>
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Publication Station teaching and technical assistant
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_Freelance Graphic Designer_<br>
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2009 – 2014 // Sydney, AU<br>
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Web-design, poster and album design
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_Linear Recording_<br>
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2009 – 2010 // Sydney, AU<br>
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Assistant Sound Engineer</p>
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{ "category": "other" }
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---
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title: teaching
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layout: page.njk
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---
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# teach
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Something about this project
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---
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title: Autonomous Archive
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layout: page.njk
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imgFeat: /work/images/autonomousArchive/pgbwstreet.jpg
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gallery:
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- /work/images/autonomousArchive/20171110_0061.jpg
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- /work/images/autonomousArchive/Print1.jpg
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- /work/images/autonomousArchive/Files-terminal.png
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- /work/images/autonomousArchive/web-2.jpg
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- /work/images/autonomousArchive/web-4.jpg
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- /work/images/autonomousArchive/web-15.jpg
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- /work/images/autonomousArchive/20171110_0057.jpg
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---
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# Autonomous Archive
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The Autonomous Archive was a collaborative project with Giulia de Giovanelli and Franc Gonzalez. Its goal was to build a local “archival-machine” for the historical living-community Vereniging Poortgebouw, based in Rotterdam. By converting the already extensive paper archive onto a digital system, we aimed to encourage further collaborative collection of materials to maps the legality of the Poortgebouw past, present and future.
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The Autonomous Archive is built upon open source software and designed in a way to allow people to interact with the archive and re-activate the documents held within it. It is designed to allow for new interactions and understandings of the archival material, and to develop further outputs.
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The final form of this project manifested in a custom built server using parts sourced from within the community, custom build software to add to the archive, as well as a possible example of the how to re-activate its contents. The server is a Linux system running Debian which hosts a Mediawiki which serves as an interface to the documents in the archive only accessible within the Poortgebouw. Documents are entered into the archive through a command line interface on the server itself, which asks the archivist questions about the document being added, such as categoies, themes, players involved, and the date. The Autonomous Archive then scans the document, and through Optical Character Recognition (OCR) translates the grpahic into editable text, translates it from dutch to english and uploads it onto the wiki in its various new formats.
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As an example of a possible re-activation of the archive, we also developed a way to print a booklet which includes all the content of the wiki. As the Autonomous Archive is only accessible from within the living community, this generated document acted as a way we were able to distribute our ideologies and methodologies employed within the creation and application of the Autonomous Archive.
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This project is still alive today, and has since manifested in a Master's project within the Experimental Publishing pathway at the Piet Zwart institute in their 4th Special Issue, and presented again within the Temporary Autonomous Bureau in 2018 at TENT gallery in Rotterdam.
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