updated some pages and added new work
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title: "soundtrack : alternative echelons"
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title: alternative echelons
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layout: page.njk
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imgFeat:
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gallery:
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@ -12,10 +12,11 @@ gallery:
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<script src="https://player.vimeo.com/api/player.js"></script>
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# soundtrack : alternative echelons
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# alternative echelons
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Sound design for [alternative echelons](http://www.amypickles.co.uk/research-ing/alternative-echelons-1) by [Amy Pickles](https://www.amypickles.co.uk/). _alternative echelons_ is a research project to challenge colonial occupation and corporate, capitalist listening.
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The sound was generated through a self oscillating reverb module unit on a eurorack synthesiser. Achieved through no input, self patching, the recording is a re-edited live improvisation. As the work centres around the British listening station at Dhekelia in Cyprus, experimentation with no-input feedback mixing seemed relevant. A sinister acoustic aesthetic is then contrasted against the sunny warm scenes of Cyprus, in which digital surveillance is being orchestrated at a global level.
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The video above is the trailer to the live performance, and projection that was to happen in November 2020. An improvised soundtrack was performed live and consisted of pre-recorded and synthesised material. Documentation of the performance can be watched on [vimeo](https://vimeo.com/495285427)
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Its soundtrack of the trailer (video above) was generated through a self oscillating reverb module unit on a eurorack synthesiser. Achieved through no input, self patching, the recording is a re-edited live improvisation. As the work centres around the British listening station at Dhekelia in Cyprus, experimentation with no-input feedback mixing seemed relevant. A sinister acoustic aesthetic is then contrasted against the sunny warm scenes of Cyprus, in which digital surveillance is being orchestrated at a global level.
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This is an ongoing collaboration with [Amy Pickles](https://www.amypickles.co.uk/) the final work yet to be finalised.
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_mx[at]suroh.tk_<br>
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_+33 (0) 7 66 14 33 99_
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### Teaching
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_Willem de Kooning Academie_<br>
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2020 - current // Rotterdam, NL<br>
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Lecturer in Graphic Design department
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_Paris College of Art_<br>
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2014 - current // Paris, FR<br>
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Faculty Member in Foundation, Communication Design and Master's in Transdisciplinary New Media departments
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_École Européenne des Métiers de l'Internet_<br>
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2018 - 2019 // Paris, FR<br>
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Faculty Member in Graphic Design department
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### Education
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_Piet Zwart Institute_<br>
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@ -32,19 +18,21 @@ _Conservatorium of Sydney (University of Sydney)_<br>
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2009 // Sydney, AU<br>
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Bachelor Jazz Performance (Saxophone) & Creative Sound Engineering
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### Residencies
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### Teaching
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_Thresholds of the Algorithmic_<br>
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Algorithms that Matter<br>
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2018 // Bergen, NO<br>
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Workshop-in-Exposition is a hybrid format that places the workshop inside an exhibition context, where the exposed works and artefacts form the basis of the workshop’s activity.
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_Willem de Kooning Academie_<br>
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2020 - current // Rotterdam, NL<br>
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Lecturer in Graphic Design department
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_Get a Room Residency_<br>
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Frontyard<br>
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2018 // Sydney, AU<br>
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Research residency around Master's research on Software and Improvisation.
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_Paris College of Art_<br>
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2014 - current // Paris, FR<br>
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Faculty Member of the Communication Design department
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### Shows
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_École Européenne des Métiers de l'Internet_<br>
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2018 - 2019 // Paris, FR<br>
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Faculty Member of the Graphic Design department
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### Selected Exhibitions & Events
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_Sounds to See_<br>
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Sign Gallery<br>
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@ -81,37 +69,57 @@ _Barcu Art Fair_<br>
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2015 // Bogota, CO<br>
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Presentation via Skype on Collaborative Art, Interactivity and Improvisation.
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### Music
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### Recent PRogrammes & Resdencies
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_Solo_<br>
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2018 - active<br>
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Solo act employing custom open source software instruments and improvised saxophone.<br>
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_Presented :_
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- _North Sea Jazz Around Town_<br>
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VARIA<br>
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2018 // Rotterdam, NL
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- _E-ARTHHA_<br>
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DePlayer<br>
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2018 // Rotterdam, NL
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_Thresholds of the Algorithmic_<br>
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Algorithms that Matter<br>
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2018 // Bergen, NO<br>
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Workshop-in-Exposition is a hybrid format that places the workshop inside an exhibition context, where the exposed works and artefacts form the basis of the workshop’s activity.
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_Post Toast_<br>
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2018 - active<br>
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Electronic duo currently playing a live meld of improvised electronica, techno, hip-hop neo-classical music and down-tempo dystopian futurism.<br>
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_Get a Room Residency_<br>
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Frontyard<br>
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2018 // Sydney, AU<br>
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Research residency around Master's research on Software and Improvisation.
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### Sound
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Presented :
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- _POST TOAST on Red Light Radio_<br>
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Redlight Radio<br>
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2018 // Amsterdam, NL
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#### Performances
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_alternative echelons_<br>
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2020 // UBIK, Rotterdam, NL<br>
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_Shaolin Afronauts_<br>
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2012 – 2014 // Australia<br>
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Sideman on “Quest under Capricorn” and “Follow the Path”
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_Design Days Finnisage_<br>
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Espace 15<br>
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2019 // Paris, FR
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_Debonair Gentlemen_<br>
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2009 – 2012 // Australia<br>
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Leftfield jazz trio
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_Read My Lips: No New Taxes_<br>
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Galerie Lecq
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2019 // Rotterdam, NL
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_E-ARTHA_<br>
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DePlayer
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2018 // Rotterdam, NL
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_North Sea Jazz Around Town_<br>
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VARIA<br>
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2018 // Rotterdam, NL
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_POST TOAST_<br>
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Red Light Radio<br>
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2018 // Amsterdam, NL
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#### Soundtracks
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_alternative echelons_ (trailer)<br>
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by Amy Pickles<br>
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2019
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_Ghost Terminal_<br>
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by Ryan Cherewaty<br>
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2019
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_Memory of Death's Dream_<br>
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by Ryan Cherewaty<br>
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2019
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### Professional Experience
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@ -11,6 +11,14 @@ body {
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color: #1e1e3cff;
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}
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p {
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max-width: 80ch;
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}
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p > img:first-of-type {
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margin-top: 2em;
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}
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em {
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font-family: serif;
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font-size: 1.03em;
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@ -20,12 +28,7 @@ a, a:visited {
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color: #1e1e3cff;
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padding-bottom: 2px;
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text-decoration: none;
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border-bottom: 1px #1e1e3c50 dashed;
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transition: color ease 0.5s, border ease 0.2s;
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}
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a:hover {
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border-bottom: 1px #1e1e3cff solid;
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border-bottom: 1px #1e1e3c50 solid;
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transition: color ease 0.5s, border ease 0.2s;
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}
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100% {
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opacity: 1;
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}
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}
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}
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